Posts tagged questions and answers.

so, this exists.

great, now i’m completely obsessed with the idea of jay-z as the great gatsby.

sometimes i feel like that

i do like ‘fear & loathing’, but that movie succeeds in creating a world. also, the characters may be despicable, but at least they’re charming and eccentric. 

on a visual level, somehow the techniques gilliam uses (puppets, lighting & costuming, for example) mesh with the story he’s trying to tell more than the split-screens & hip-hop montages aronofsky used in ‘requiem.’

i actually found it more boring than anything, but the “ASS TO ASS” scene was certainly a highlight of insanity

great recommendations, thanks. i haven’t seen either of them. we should all get together and bug TCM to release them on DVD.

morgseypie asked: can you recommend some films about film preservation? i just love montages

  • A Personal Journey with Martin Scorsese Through American Movies (Netflix)
  • Keepers of the Frame (Google Video)
  • This is CINERAMA (soon to be on DVD)
  • These Amazing Shadows (Netflix)
  • Picasso and Braque Go to the Movies (Netflix)
  • Guardians of History (haven’t seen this one, but it’s on YouTube)

Of these, I’d recommend Keepers of the Frame most highly. I saw it at Cinecon and it blew me away.

Also, anything the AFI has ever aired on TV…

is ‘The Five Year Engagement’ worth seeing in theaters?

i would accept a goat wearing a bow tie and shoulder holster like ruffalo’s character, but a tutu is a no-go for me

or

any kind of animal wearing an ‘i am not paul avery’ pin. also acceptable.

whiskey tortellini. i would be dead within the hour. 

SIDEWAYS and BOTTLE SHOCK. And they’re both terrible! Yes, I hate SIDEWAYS. dealwithit.gif

i don’t watch game of thrones. mostly because i’m terrified of how much i’ll love it.

my peter dinklage affection is ridiculous enough without throwing game of thrones into the mix.

fun with film history: let’s create a false dichotomy!

if you could suss out the one essential split between the philosophies of charlie chaplin and buster keaton, what would it be?

can there be a definitive, original “split,” or do the two men simply share too much of a time and space to be extricated from each other and evaluated as separate, oppositional forces?

i seem to always be in flux about my own opinions on the matter…the more i read the more i find myself coming closer to a distinguishing feature, but there are always exceptions that prove the rule. what about you?

Discussion question of the day

What are some directors who make great and proficient use of the insert shot?

So far I have Lang and Hitchcock. The insert shot is sort of outmoded in contemporary cinema; can anyone think of a modern filmmaker who uses it as much as those directors trained during the silent era?

Does anyone know the Buster Keaton film where he’s looking through a stack of shoes to find the one that fits?

“Convict 13” maybe? Looking for a title, thanks!