henridecorinth:

"…in every possible theory of colors -and here again we go theoretical- blue is the color of separation, of despair, of loneliness, and it goes from Goethe, to the Iranian Sufis, to the Japanese theories. But I don’t care about theories. Berlin is a town in which many things are blue, or many things are yellow. And this blue-yellow contrast is the contrast between the two apartments that the wife inhabits in a film. She lives in a blue one, in which there is separation. and she lives in a yellow one, in which she recreates something which is for her, like hope and future and whatever it is. So it came naturally looking at the town, looking at the place where we were shooting."

-Andrzej Zulawski 

(via iwanttobelikearollingstone)

Could you give us some of your political beliefs?

(via sosreelthoughts)

sleater-kinney hype flyers & marquees poppin’ up all over the country…

hollywood palladium

sunset/vine, los angeles

the showbox, seattle

the people’s pub, seattle

stubb’s bbq, austin 

first avenue, minneapolis (show confirmed, 2/14/15)

keep your eyes peeled

themovieaddicts asked: After having read so much about Sleater-Kinney on your blog, I just heard their music for the first time - and damn, you were right! They are wonderful!

this is the greatest compliment of my life!

just gonna keep preaching that gospel till y’all converted come to my sleater-kinney rent revival!!!

Title: Light Rail Coyote Artist: Sleater-Kinney 353 plays

frncsca:

Sleater-Kinney | light rail coyote

sammevank:

This show, man.

(via riseabovewasted)

toshiro-mifune:

Toshirō Mifune in publicity stills for Rashōmon (Akira Kurosawa, 1950)

(via iznogoodgood)

inthemouthofcinema:

SCIAMMA

© Matthieu Zarro

(via iwanttobelikearollingstone)

Anonymous asked: What is sleater Kinney?

face-melting lady rock of the most lethal variety

learn it know it love it

https://www.youtube.com/watch?v=h5brVeGN9Q8&list=PLbOGt8cOph4VoNTqCQY9AYEvMcrr_zbq8

(fyi, sleater-kinney is not a film so i guess my username is bullshit from here on out but WHATEV)

Burt Lancaster photographed by Ray Jones for The Killers (1946)

(via mubiblog)

"I feel like creativity is about where you want your blood to flow. Because in order to do something meaningful and powerful there has to be life inside of it. Maybe after The Woods that blood had thinned; we felt enervated, the focus had become disparate and diffuse. We drifted apart in order to concentrate on other elements of our lives and careers. Sleater-Kinney isn’t something you can do half-assed or half-heartedly. We have to really want it. And you have to feed that hunger and have the energy to. I’m not saying we need to be in a dark place to be in Sleater-Kinney. In fact, we could be in the best places in our lives. But we have to be willing to push, because the entity that is this band will push right back.

"We had no desire to revisit sounds and styles and paths we had treaded before. But in order to move forward, Corin and I worked together in a way that was more reminiscent of earlier albums like Dig Me Out. Meaning that we would write just the two of us and then bring songs to Janet later on in the process. I think we had to go back to an earlier model of writing in order to reacquaint ourselves with the language of the band. It’s a sonic vernacular that isn’t easily translated into other contexts in which we’ve played. This was a very deliberate writing process, there were many edits and iterations of the songs. We thought a lot about melody and structure.

"I spent a lot of time writing choruses for this record. Melody is what I was most picky about. I really drove Corin crazy sometimes. We would have choruses that we would work on for hours, days, maybe on and off over a matter of weeks. And we’d think we had solved it, but then I would listen to it later on and decide to discard it, that it wasn’t good enough. I did that with my guitar parts too. In the end we were all more scrutinizing with our own parts than we ever have been. I think we didn’t want to take any second of the song for granted, everything had to have an intention and earn its place."

wishbonekid asked: [BREAKS INTO YOUR HOUSE] SLEATER-KINNEY!! [MAKES TEA] SLEATER-KINNEY!!! SLEATER-KINNEY!!! [HAS A LIVELY POLITICAL DISCUSSION] SLEATER-KINNEY!! SLEATER-KINNEY!!! [TALKS ABOUT NOTHING BUT] SLEATER-KINNEYYYYYYYYYY

[INVADES YOUR ASK BOX] SLEATER-KINNEY!!!!! [AGGRESSIVELY REBLOGS] SLEATER-KINNEY!!!!! [LISTENS TO “BURY OUR FRIENDS” 1000 TIMES] SLEATER-KINNEY!!!!!!!!!!! [SINGLE-HANDEDLY TRIES TO GET #SLEATERKINNEY TRENDING WORLDWIDE] SLEATER MOTHERFUCKING KINNEY!!!!!

of all the feelings-having this morning, this is making me feel the most

thisaintnopicnic:

Sleater-Kinney — No Cities To Love (Artwork)

Here’s some hi-res artwork from No Cities To Love, the new Sleater-Kinney album coming out January 20.

(via slater-kinney)

sleater-kinney came back

sleaterkinneycameback:

to jam in your basement

image